Anina Schenker

Thanks to a scholarship abroad in New York, I was able to attend the “High Speed Videography for Motion Analysis” program at MIT (Massachusetts Institute of Technology) as an artist in lab. I was allowed to use the technologies of the various labs for my own experiments. Back in the studio, I simulated the lab settings for my work and extended the observation beyond the actual body. By recording 3000 images per second, the people appear strangely removed.

from dusk till dawn
durch den Wind
atmemich / breathme
parole